Volkan Kızıltunç's multimedia works question our perception of time using the possibilities of photography and video. In his portraits shot with analogue cameras, he asks his subjects to look directly into the camera. This direct gaze creates an intimate connection between the viewer and the photographed person while also questioning the meanings of looking and being looked at.

Kızıltunç's both photographic and video practices explore how technological tools shape our memory and perception, with each frame inviting viewers to reconsider their own experience of time.