Conceived for Saint Benoît Church, David Szauder’s Triptych: Memory, Doubt, and Fates brings together three interconnected bodies of work around memory, self-confrontation, and collective voice. Spanning the church’s three spaces, the installation combines Failed Memories, Doppelgänger, and Folkloric Robots—developed in collaboration with Anna Réka Baktay—to trace what endures from past to present through light, image, and artificial intelligence.